W hen I was applying for my undergraduate degree at McGill University, I was rejected three times from the composition program. I had been accepted in my first year as...
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Abstract In one of the final scenes of Anthony Minghella’s The Talented Mr. Ripley (1999), Tom Ripley (Matt Damon) sits at the piano playing the first movement of Vivaldi’s Stabat...
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Abstract If one thing is for certain upon viewing Orson Welle’s Touch of Evil (1958), it is that the accompanying score by Henry Mancini is just as disconcerting as the...
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